List $19.99

Based on scripts by Rod Serling - Hosted by Stacy Keach - Audio radio dramas performed by Blair Underwood, Robert Knepper, Stan Freberg, Adam Baldwin & Bruno Kirby - Fiction - Audio Dramatizations of Old Time Radio Programs - 5 RETAIL EDITION COMPACT DISCS - 4 hours

Publisher, Blackstone Audio (October 2006)

NOTE: Blackstone Audio VALUE / RETAIL EDITIONS are packaged in attractive, compact cardboard boxes, shrink-wrapped, with full-color art. Cassettes or compact discs are stored snuggly inside the re-closable package.

“The Twilight Zone Radio Dramas easily demonstrate that SF audio narratives can work just as well as, and in some respects even more successfully than, the same stories told through a visual medium.” —Scifi.com

“Those of us who spent hours of our misspent youths listening to radio dramas (before TV had proliferated) will love these presentations. In fact, they’re novel enough to please younger listeners as well. We rated them five hearts based on the quality of the stories, the actor readers, and the digital mastering.” —Heartland Review

“This sparkling example of radio drama....offers the light humor, whimsical sci-fi, and occasional drama that made the TV series a classic.” —AudioFile

The Twilight Zone Radio Dramas will keep you glued to the edge of your seat, whether listening in your home or in your car. Each tale unites classic stories and musical scores with contemporary sound effects and readings by distinguished guest stars.

Adapted from original scripts written for the television show created by Rod Serling that aired from 1959 to 1965, these radio dramas were contemporized and expanded to accommodate a radio format. Serling’s widow, Carol Serling, praised the radio adaptations, calling them “truly astounding.”

This Value Package contains five stories:

To Serve Man
A Quality of Mercy
Four O’clock
Nervous Man in a Four Dollar Room
The Dummy

Here is a highlight from this collection of a story originally written by Rod Serling:

“The Dummy,” starring Bruno Kirby. A ventriloquist is convinced that his dummy is alive and quite evil, but his manager thinks it’s only a figment of his imagination. Terror ensures when the ventriloquist decides to get rid of the dummy and start a new act.